Hong Kong is hosting the largest LGBTQ cultural and sports event in the world. Participants have expressed their gratitude and appreciation for the great organization of the games and meaningful experiences.

Despite the popular imagination that video games are the preserve of solitary nerds shooting 3D bad guys, there is actually a rich culture of independent developers dreaming up out-of-the-box interactive realities. Some of them have a surprising level of queer friendliness.

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VA-11 is a bartending game set in the dystopia Glitch, a fictional dystopia where you play Jill. She’s a sarcastic twenty-something reflecting upon her life decisions. Over 19 days of gameplay, Jill serves drinks to colorful customers and listens in on their problems.

Bartending is pretty simple, with only a few options and a tap-based control system. The interesting part is how this mechanic ties into the story; making different drinks changes which story route the game takes, so there’s some choice-making here that might not be immediately apparent.

Sukeban Games has a reputation for combining mechanics and story telling. Their latest game, VA-11 Hall-A, continues this tradition. The studio’s team is largely from the country, which has been suffering under an economic crisis that has led to widespread famine and shortages of medicine.

The game is set in the year 207X, and while it deals with some of the usual subjects found in Glitch City, such as corporate repression and fascist government control, it’s more interested in questions of survival and labor. The game also has a strong LGBQT presence and portrays its characters in a less violent and oppressive way than other games of a similar nature.

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For a game that doesn’t feature jump scares, dread-inducing meta experiments, or resource scarcity, Night in the Woods packs a hell of a punch. The 2017 indie darling is the story of Mae Borowski. She’s a 20 year old college dropout returning to her dying hometown, Possum Springs, to reconnect with friends from her youth. The town of Possum Springs is no longer the same. It has been devastated by the collapse of the coal industry, and some members would prefer to keep their secrets buried.

Night in the Woods features anthropomorphic characters that embrace youthful frivolity. This may not appeal to older gamers. The dialogue sometimes veers off into slang, and jokes which would not be appropriate in many other modern games. But the personalities of the crew make it easy to forgive. Mae’s pesky wit and her best friend Bea’s biting cynicism make it easy to understand and connect with them.

The main storyline is a trojan horse of a coming-of age tale that surprises the player with themes such as faith, community and class struggle. The game is fucked up in some wild places, such as existential horror, the nature and purpose of God, or the feeling of life not being worth living. However, it spends the majority of its time establishing character relationships and quiet moments of friendliness between a small group of people who are struggling to make their worlds sense.

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The brainchild of the team behind GaymerX, 2064: Read Only Memories is a cyberpunk point and click adventure set in Neo-San Francisco. Inspired by Gabriel Knight: Sins of the Father and Snatcher, it blends retrofuturism with a deep mature narrative and gameplay challenges in interactive pixel scenes that become more complex as you investigate. The game doesn’t shy away from its queer identity. It has several gay characters as well as a subplot about people who have turned into genetic hybrids. It never uses that aspect for cheap humor or to slap you in the face. Instead, it lets its quirkiness come across as natural and charming.

The main story is about a journalist looking for a missing friend, helped by the first sapient ROM — or Relationship Organizational Manager — called Turing. Turing, a sapient ROM (or Relationship Organizational Manager) is more special than others in 2064 because he’s able to act and choose independently. As you put your journalisting skills to work, there are red herrings and twists and turns, and like any good mystery, a bigger threat then you might think at first.

This is a fantastic example of an independent game that feels fully fleshed-out in every way. It’s worth the time spent because of the colourful world, the story, the gameplay and the multiple endings. The 2017 update, 2064: INTEGRAL, brings a new font and voice acting. (Including an excellent performance by the robot himself), a script that is expanded and a playable chapter at the end.

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A downtrodden occultist is hired to assist a Space X type project in preventing an asteroid slamming against the Earth. He soon discovers it’s a massive artifact, maybe temple, maybe prison, to a space god from a war between dimensions that happened during Noachian times. It causes people to dismember family members and broadcasts psychic material. Despite its bleak premise, the book manages to avoid being too heavy-handed. The world-building is simpler than in works such as Doug Dandridge’s Empires at War, but depending on the reader’s taste this could be a positive. Annette, a strong character, bridges The Nameless and George’s early work (many feel like callsbacks to Gog). She also gives agency to the book’s protagonist. Annette also offers a moment’s respite for the reader and protagonist.

The Nameless is a compelling story with a superb narrator. While some of the characters are somewhat underdeveloped, their development progresses throughout the story, leading to a satisfying conclusion.

The Nameless is a Spanish horror film from 1999, directed by Jaume Baliguero. It was his directorial debut. The film had its premiere at the Sitges Film Festival, in October of 1999. It was a huge commercial success. Filmax released it on DVD in 2005 after distributing the film at theaters. In Spain, the film was a commercial and critical success. It won the Melies d’Or award at the International Festivals Federation. The film was nominated for an European Film Award.